|Booking From:||Tuesday, 27th September 2016|
|Booking Until:||Saturday, 23rd September 2017|
|Running Time:||2 hours|
|Age Restriction:||The Woman in Black is on the National Curriculum for English and Drama, so some performances (especially matinees and on weekdays) are likely to have school groups in attendance.|
|Important Info:||This play is not suitable for those with a nervous disposition or who cannot handle sudden shocks. Please be advised that there is a large possibility of school groups being present at The Woman In Black, especially for Monday to Thursday performances.|
|Tue:||3pm and 8pm|
|Sat:||4pm and 8pm|
An amazing performance accompanied by fantastic customer service. Due to the fact that there was a large school group in the dress circle where we had tickets, we were offered the opportunity to move into the stalls as they had spare capacity. An excellent decision by the management as it meant our enjoyment of the performance was greatly increased.
Very disappointing. I have never seen the film, though my teenagers who accompanied me have, so I was not comparing it. Decent acting but dull otherwise. So much more could have been done to create atmosphere, suspense and emotion. My 17 year old says her school should perform it because they would do a better job. I expected more from a West End production, not worth the £42 we paid for a ticket. Money for old rope.
Not such a review of the play, which we enjoyed although we found the graveyard scene as from the circle roe E 4+5 you cannot see the grave BUT I want to give a huge thank you to the staff. I am disabled and use a stick. The staff did everything that they could to make me comfortable with small acts of kindness such as allowing me use of the toilet on the same level instead of having to make a trip up about 3 flights of stairs (I hope she doesn't get in trouble for that), to carrying my beer up from the bar to my seat. A big thank you. Things like this are not usually found in this day and age but nothing was too much trouble from the box office to leaving. The staff know who they are and I hope whoever reads this at the Fortune will pass on my gratitude.
Booked last minute on a whim for my daughter and I.
Then read reviews and realised it was a 2 hander so did not know what to expect and how they were gonna pull it off, only having seen the big blockbuster film version
Well.............. BRILLIANT !!!!!!!!!!
What more can I say without spoiling it.
Go with an open mind , enjoy the quaint Theatre, friendly staff
and applaude the great Acting.
My hubby & I went yesterday for our anniversary. I was a bit unsure as another website had given unfavorable reviews. I was gripped from the start and even forgot to breath on a couple of occasions. The 2 actors were amazing & delivered a slick, outstanding performance. I actually felt I was on the stage with them. Truly fine acting and I will definitely be going back. The negative reviews I read must have been written by watchers of roller skating cats or sing wicked witches. If you want that, then this won't be for you but if you want fine intelligent culture you be so pleased you went. I jumped out my seat- !!!
i thought this play was an amazing show, not only did it entertain me but i was also surprised as to how scary they made the play. i did think that the play wouldn't be as scary as i didn't quite understand how they would be able to make a ghost story scary in reality. Truth is the sound effects and the other effects they used were very effective and helpful. i would highly recommend this and for anyone who says this show was boring needs to start appreciating simple shows that are effective.
I did not enjoy it at all. The cheap set I thought was awful.
I did not like the fact that there were only two characters on stage and to me it was just boring. The screams were hideous.
I thought the atmosphere the actors created by the element of climax was particularly effective. They did this by using dramatic mediums. The music created tension and suspense that put you on the edge of your seat. It did this by repetition. The repetition of a sound or song like a broken record player creates an eary atmosphere. This adds to the suspense because the build-up and then the repetition makes you anticipate the appearance of the Woman in Black. An example of this in the production was when the actor was approaching the child’s bedroom and the music suddenly became sharp and rapid. This sudden change in tempo made you very frightened because of the build-up beforehand.
The medium of lighting further added to the atmosphere of suspense. The medium of lighting is significantly effective because I thought it drew you into the play. This feeling of emersion builds up the suspense because you are only focusing on the stage. The door that leads to behind the gauze curtain is important in creating suspense. It does this because the mind does not feel secure when looking at a closed door. You always wonder what is behind the door and lighting is used to emphasise these feelings. A red light shone from the bottom of the door to where the actor was standing. As this light appears you also hear the sound of a heartbeat. This repetitive noise absorbs you into the performance because it creates climax.
The music creates an auxiliary feeling of climax because of build-up. The rate of the music slowly increases until its apex and finally drops. For the audience this recreates the sensation on being on a rollercoaster. This arduous and frightening climax makes the concluding scare more fearsome. Darkness is a powerful ally of terror, something glimpsed in the corner is far more frightening that if it’s in full view.
I thought the use of props and set was effective. The slightly bare set and low budget props add to the eeriness because you actually think you are peering into an old Edwardian theatre. The use of this end-on set truly creates a sensation of emersion. The rickety chairs and beams of the theatre also adds to this feeling because it is furniture you can imagine being from the past. The minimalist set adds to fear because the fear created is not on a visual or visceral level but on an imaginative one. Climax and anti-climax are created through this type of fear. An example of this that I thought was effective was when the actor was walking slowly to the rocking chair that was moving and then it stopped as he approached. Fear was created here because you anticipate something is going to happen and it does not, this leaves you in a constant fear for what is about to come. You do not need fancy special effects to create fear, all you need is an actor and a stage and from this anything can be created. The fact that the woman only appears for short moments until the end left the audience desiring a satisfying look at her. It was only until the final moment of the play that she appeared in terrifying despair.
The medium of sound is another aspect of the production which was effective. I thought that the only aspect of the play that was in anyway complex was the sound. There are one or two moments when the actor is walking through the house, when just by raising the volume to an unexpected level the audience were shocked to a screaming pitch. Sound is effective in creating climax because of the audience’s psychoacoustic perception.
The use of movement, mime and or gesture was effective in The Woman in Black. The hesitant steps that The Actor took when he was walking towards the door were effective in building suspense. The slowness of his steps keep you engaged and aware because you are waiting in anticipation for what is about to come. One moment that personally stuck in my mind about the production was when Mr Kipps suddenly appeared on stage to narrate the next bit of the story. He appeared in a dim light and his movement was perfectly in time with the sound. I felt that this was very effective because it showed synchronisation which if used in the right way can be extremely sinister.
Something that was also effective with the production was the way that it brought you to a different location. This was done in a variety of mediums and elements. Lighting was used to change the location consistently through the play. There were no complex set changes but only a projection onto the gauze curtain. A simple cross was projected and this made you feel that you were in a church. This was incredibly simple but gave the audience the basis in which to adapt to their imagination. To bring us to Eelmarsh house, an image of a grand manor was projected this worked in the same way as the projection of the cross. The graveyard was behind the gauze curtain and it consisted of draped sheets over objects. The gauze curtain gave a hazy look to the graveyard which added to the feeling of being in an eerie and misty marsh. This was effective in creating suspense because you have to peer into the graveyard which takes away your focus on other parts of the stage, which the entrance of the woman more alarming.
Most of the props were used multiple times of different things. One example of this was the wicker basket. It was originally used as Tomes the clerk’s desk, then the train seats, next it was used as the pony and trap, finally its use was as the storage for all of Mrs Drablow’s papers. The wicker basket being used for many roles was effective because it shows creativity. The wicker basket is the core of the play because so many key moments evolve around it and it is always at the forefront of the action. The old fashioned props anchorisims
We watched this play yesterday it was for my mums 65th birthday she enjoyed we did enjoy it it made me jump very intense.
Very boring. If you can get through the first act the noise of the second will keep you awake. I have never wanted to walk out of a play so much, but was stuck in by the wall so had to sleep instead
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